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She noted that the audience consisted largely of children under 12 and argued that criticism from detractors stemmed from a misunderstanding of the show’s intended demographic. He suggested that the concert was underpinned by a sense of desperation, particularly evident in Perry’s attempt to weave new, less successful material—tracks from 143—between her established hits. In a review for The Boston Globe, Victoria Wasylak called the concert great for families and praised Perry’s vocals but felt the show was cheap as opposed to camp. On September 26, 2025, Perry announced opening acts for the UK and Europe legs, including Goldie Boutilier, Au/Ra and Becky Hill. A third Shanghai show and a second Saitama date were announced on July 16, 2025.
- With Katy’s set list covering her original hits such as “I Kissed A Girl” to her new hits like “Roar,” Katy rocked the nearly packed Prudential Center.
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Givord praised the “infinity-figure stage design”, which she described as “offering an unobstructed view to all spectators”, adding that the show was “meticulously choreographed” and Perry “gave it her all”. Writing for Le Progrès, Delphine Givord praised Perry’s concert at the LDLC Arena in Lyon, describing it as a “two-hour dose of good vibes”, where Perry “clearly enjoyed herself”. Additionally, he described the concert as a “grand pop production” and Perry’s presence as “warm and engaging”. Gravely emphasized that Perry clearly understands and embraces her young audience, with each element of the performance designed to captivate them.
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Fabio Magnocavallo from Euphoria gave the tour’s opening night in London four out of five stars, describing the show as striking a balance “between theatrical flair and crowd‑pleasing hits” which made for a “lively, feel‑good evening”. She also did not like how much of the set list contained material from 143 while past songs that fans loved were cut short. Reviewing Perry’s concert in Chicago, Selena Fragassi of the Chicago Sun-Times felt The Lifetimes Tour “suffers from much of the same issue” as the promoted 143 album, “where extravagance continues to supersede significance”. Commenting on the tour’s opening night in Mexico City, Jo Vito of Consequence called the singer’s choreography “unimpressive” and “middle-school-musical level”. On the same day, Perry announced that Mexican DJ Mariana BO and Mexican band Midnight Generation will serve as the opening acts for the Mexican dates of the tour.
A lot was going on but the stage wasn’t too busy for the eye. There’s actually more hidden site which involved treadmills, lifts and it ended up being more elaborate than last time. Compared to the previous tour it looked a bit sparse and toned down. She brought 2 warm up acts – each doing about minute sets.. I caught her previous tour with Janelle Monae and thought that it would be impossible to top.